Note From Jon

Adieu.

Monday, June 9, 2008

Geotag This!

I am officially not a fan of the current state of geotagging tools/websites. It would be hard to suck all of the fun out of the phenomenal hike/swim that is the White Oak Canyon/Cedar Run hike but Flickr and EveryTrail nearly accomplished it. It seems like a fun little idea to give you a map as the backdrop to the slideshow (and I basically went out and purchased a GPS in order to do just that) but the tools just aren't ready yet. Here is a short list of the problems I have now had with this process:

  • Picasa can't read the geotags in my photos edited by WWMX Location Stamper (Solution: Batch edit the version number with an Exif editor or switch editors)
  • Picasa photo maps can't be embedded in a blog (Solution: Use EveryTrail.com which creates the embedded code)
  • EveryTrail simply fails to read half of the photos uploaded from my PC and can't link to my Picasa photos (Solution: Use Flickr for my photos since EveryTrail can link to them)
  • Flickr limits me to 100MB/Month... and the photos from a single hike are 125MB (Solution: Change the default preferences in Flickr Uploadr to resize your photos to 1600—or smaller—and realize that it will still tell you that you are about to upload 125MB)
  • Flickr uploads photos and throws away the geotag data (Solution: Change the default setting in your Flickr account profile that disables importing of location data!)
  • Flickr Uploadr puts photos in reverse chronological order and only lets you reorder one at a time... and the photos don't go into the set specified (Solution: Use the Organizr in the web interface to place the photos in sets and choose Arrange to reverse their current order)
  • When Everytrail imports from Flickr... it only succeeds in importing half of the photos! (Solution: Import the other half manually from the computer a couple photos at a time)
  • Once they are all uploaded and you are about to manually readd the captions to the ones that didn't import from Flickr... realize that the photos are out of order and EveryTrail doesn't give you a mechanism to reorder them (Solution: Get pissed, write a seething blog entry about your frustration, post the slideshow in its traditional mapless form, get some sleep and try to remember how much fun the hike was instead of how frustrating embedding a geotagged slideshow into a blog currently is)
Oh yeah. Did I mention we had a fun hike returning to White Oak Canyon and Cedar Run yesterday? Enjoy the slideshow :-)



Note to Jon:
  • Stop at the Sheetz on the right-hand side of 211 in Warrenton instead of the Wawa on 29 in Gainesville (gas was 6 cents cheaper than Wawas morning price... which went up an additional 8 cents while we were out hiking!)
  • Plastic bags full of water apparently keep houseflies away. We saw several bags hung around Burgers 'n' Things and admittedly didn't see a lot of flies hanging around
  • Order the Dreamsicle Milkshake for the post-hike treat
  • Hike stats:
    Length: 8.1 miles
    Duration: 5 hours, 56 minutes, 9 seconds
    Average Speed: 1.4 mph
    Vertical up: 4193.4 ft
    Vertical down: 4218.6 ft

Saturday, June 7, 2008

Artomatic 2008: Round 2

Well it took two trips but I explored the next three floors of Artomatic (7-9). I was on my own for these visits which meant I could go at my own pace... which I discovered is really slow. I was taking nearly an hour and a half per floor. Hence the second trip. I am primarily chocking that pace up to getting absorbed into two exhibits: Heather Bartlett's Skinny Jeans exhibit space and Patrick Wilson's wall of diary entries and paintings.

Like Tracey Lee's Return to Sender, discussed previously, there wasn't a great deal of visual appeal to Heather's skinny jeans, but they provided a springboard for a lengthy mental conversation about self-image. On the jeans are a variety of weight-loss advertisements, barbie images, and most poignantly, posts from girls in online forums setting absurdly unhealthy weight goals for themselves and describing how they are staaaarving but aren't going to eat any dinner and are looking for support. It was truly frightening, and even more disturbing because I felt partly responsible. I'm attracted to skinny women. Perhaps it's driven by the same societal paradigm of beauty that has twisted these women's perception of themselves, but the fact remains that I don't find myself physically attracted to larger (or sadly even normal sized) women, and I'm not sure there is a way for me to change that. It was a sobering journey through the exhibit, which was greatly enhanced by thoughts and responses posted on the walls by viewers. While these issues are hardly new, it is rare that I stand in one area quietly reading and contemplating the issue as Heather's exhibit compelled me to do. The thought I left with was to be healthy and to take pride in yourself, not your body, and don't try to change for people like, well ...me.

Now to dispel the impression that I only like artwork without visual appeal or with plenty of prose, I present Eli Halpin's hugging octopus which caught my eye without reading the title or artist's statement. Of course I did like it more when I read about the inspiration: scientists' discovery that octopi can hug sharks to death. Deadly hugs. Maybe Shel Silverstein was wrong and we would rather play at tug-o-war than hug-o-war.



Ironically, from a visual standpoint my most memorable piece of the show so far is probably one of the most traditional. Joe Granski II's portrait of Cristin, Candlelight is mesmerizing and we stared at each other for an unhealthily long time (Cristin and I, not Joe and I). The poem Glance left by BRASH was the perfect complement for me. You can read it alongside the painting if you click on the photo.




BRASH is another of my favorite parts about Artomatic. BRASH is a mysterious poet who, for at least the last couple of shows, has been secretly leaving poetic additions as responses to various artists' works. This year "she" (gender based purely on a rumor I heard last year) seems to have somehow found the time to leave a poem for every single artist! Perhaps not quite but she seems much more prolific than at past shows and it was quite often that I would go 4 to 5 booths in a row which each had their own poem. Like the artwork, some of BRASH's poems worked for me better than others. Cristin, Candellight and Glance were a perfect pairing as was this How I Know It's Reality response to Deborah L. Brooks' wonderfully whimsical In Dreams All Things Are Possible.

One advantage to exploring Artomatic on my own is that after Darren visited these same floors we could compare notes (and photos) and see which works struck us both without any influence from each other. Two examples of this from these floors were Brandon Wu's I Don't Want to Go! which perfectly captured how I (and it) felt about them ripping The Awakening out of Hain's Point and shipping it off to some place I'll never visit in Springfield. Boo to the Parks Service for not doing whatever it took (spending my tax money presumably) to keep it there! The other piece was Patrick Wilson's FOVULATION, which was part of the second exhibit space (after Heather Bartlett's) that monopolized my time.

Darren and I were both drawn to Patrick Wilson's work. In addition, Darren and I both assumed they were by a female artist (which in hindsight seems odd since the subjects are pretty much exclusively partially-clothed women in science-fiction settings). The wall where Patrick's work is exhibited is completely filled. Surrounding the half-dozen or so paintings are countless pages of his journal entries, which are usually accompanied by a colored sketch of a potential piece, some of which are shown alongside the final work they evolved into. It was amazing to see how many sketches there were and fascinating to read the journal entries. Some of the entries which stood out to me were his confession of feeling ashamed/embarassed as his artwork became more sexually explicit, detailing his struggles with alcoholism, and the thought-provoking line "so many people tried to love me out of alcoholism but it didn't work. At first." Even more than most, Patrick put himself out there (including daily calorie counts!) for the world (well the DC area) to see, and I certainly appreciated it.

Without too much commentary I'll share some of my other favorites from these floors:




  • Tinaseamonster's random thoughts laser etched on wood, which I later found throughout the Clark St. Playhouse... except they didn't have my favorite one about maracas

  • Darren Smith's Cross and Ladder photo series commenting on symbols of faith vs. logic








  • Jack Whitsitt proving that a computer scientist (like me!) can be an artist as he wrote a Python script to build a mosaic of his face




  • Jose Piedra had several paintings that I loved but I got a good laugh out of the Washington Condiment which—whatever its relevance in his painting—just reminded me of the metal "condom"—as my friends and I referred to it—that the monument actually wore several years ago during repairs

  • Van Nyugen's Peace series delighted my eye...










  • While Solomon T. Wondimu's Protest tricked it. I initially saw it from so close that it looked exactly like the abstract swirls on a kitchen countertop I remember growing up and it wasn't until I looked back from across the room that I saw the faces





  • Darren also managed to trick me when he showed me his photo of Masai Conversation by Mitra M. Lore on his camera's LCD screen
I'll be back with the final three floors hopefully before the show ends next weekend (I'll get to the floors it's just a matter of whether I'll get a chance to write them up). Thanks again to the artists who found themselves referenced here and took the time to let me know they appreciated the mention.

Tuesday, June 3, 2008

Memorial Day Hike 2008: Much Less Water

Last year we found the rock slide on Cedar Run Trail which is still my favorite hike in the D.C. area. I'd have been happy to return this Memorial Day but I've been accused of being too rigid in my traditions, plus one of our merry band of hikers doesn't like water... or it might have something to do with the fact that we already had plans to hike Cedar Run again later this month :-)

Instead we selected a hike through Little Bennett Regional Park in Clarksburg, MD for Memorial Day. The hike was an easy 9.1 loop around the perimeter of the park, which made for pleasant hiking through mostly shaded trails but not so much for spectacular views.



Notes to Jon:
  • If you don't print out a trail map at home you can use a photo of the park signs as a digital map
  • We finally remembered to look up local ice cream spots before the hike and ended up at the quite satisfactory Country Cone Cafe in Germantown, MD
  • Country Cone Cafe was perfect for this hike because the lactose intolerant among us could eat their frozen yogurt

  • Looking for tether ball? Country Cone Cafe has you covered there as well
  • While no one got any we certainly saw plenty of Poison Ivy (and spent quite a while debating what it looked like—are the leaves always shiny? Find out the way we did...)

  • Hike times: Total time about 7 hours. Hike and lunch 4 hours 45 minutes. Left Ballston just after 10am. At trailhead by 10:45. Finished hiking about 3:30. Ice cream at 4:00 and home by 5:00

  • The tool I use to geotag my photos—WWMX Location Stamper—doesn't play well with Picasa and requires the additional step of running something like Exiftool to adjust the version numbers

  • I investigated embedding a geotagged slideshow in the post but haven't found a good option yet (I'd like something more interactive than the interesting solution Rocky found). For now I'll link to the new capability in Picasa and Google Maps which is fairly good and just lacks the ability to show a GPS track and easily embed the result in a blog

Thursday, May 29, 2008

Refused: Return to Artomatic

My favorite art show has returned. For the first time, Artomatic is back after only one year (I’d previously seen it in 2002, 2004 and 2007). The schedule has been somewhat erratic since Artomatic is free and takes up a lot of space (1000+ artists tend to do that). Lots of free space is a tough order though, so it’s usually in a building being renovated or demolished (an old Hechinger’s, EPA building, DC Children’s Museum, Patent Trademark Offices). This year it’s the brand new Capital Plaza I… before the interior floors are drywalled and decorated. Capital Plaza I is located just a block from the New York Avenue metro and an easy bike ride from my office so while it can’t quite compare to last year’s Crystal City location, there’s certainly nothing to complain about.

I’ve been accused of enjoying traditions (I do) and with this being my fourth show and last year’s lessons fresh in my mind (and blog) I feel like I am close to perfecting my system for experiencing Artomatic. Here are the key components:

  • Bike to the show – Not so critical but part of the tradition and a good way to balance art and athletics (plus, unlike last year, they have bona fide bike parking)
  • Go on a weeknight – Sadly it’s closed Monday and Tuesday, so Wednesday is the golden time at Artomatic. It’s quiet and the artists aren’t usually around… which means Darren and I can discuss the work candidly (and it’s easier for me to bring you some photos)
  • Plan multiple trips – This is the key. The show lasts four weeks and I plan to go once a week.
  • Plan short trips – After a couple of hours I start to lose focus which makes it hard to…
  • Pay attention to the details – Some of my favorite work didn’t mean anything to me until I read a title or the artists statement

The Flight of the Conchords show (deservedly) won out over Opening Night at Artomatic this year so the first trip was the following Wednesday and starting from the top we hit floors 12 thru 10. Here’s what I found there…

I was a little concerned that after only one year much of the artwork would be the same work I saw last year (and likely the pieces that weren’t good enough to have been sold yet!). So far that hasn’t been the case. I saw several artists I recognized and all of their artwork was new to me this year. For example Emily Greene Liddle returned with a new entry in her food-on-a-hook temptation series (incidentally she’s also the most searched for artist on my blog… or at least the most searched for artist whose seekers end up at my blog!). This one is titled (or not): Untitled (Jalapeno). I don’t know what to make of that. It’s not really untitled because of the (Jalapeno)




But that does segue into a rant that Darren could really handle better than I. When Darren becomes our benevolent dictator (more on that in a future post) I expect a “Darren Decree” along the lines of “All artwork shall have a title”. Since I haven’t created art since high school I certainly won’t tell artists what to do but I will point out that quite often the title makes the piece for me. Here are two examples. Sanjay Suchak’s photo of the pigeons by the river took on a completely different tone after I read the title. I’d say that tone was ominous except that they are pigeons so whimsical is probably a better description of how I felt about… Battle of the Potomac. Likewise I took another look at Alexandra Zealand’s geometric relief when the title Addiction, Part 3 clued me in to the fact that it was composed entirely of used coffee filters (it’s much more obvious what they are from the shot I took than it was straight on).


Other pieces I liked because they triggered particular memories for me. Joseph Merchlinsky’s possibly political “Kill” actually didn’t do anything for me, but it did remind me of the much subtler work I mentioned last year as my favorite piece from the 2004 show where the artist (who I'm happy to have now found out was also Joseph Merchlinsky!) used “I Voted” images in Red, White, and Blue and Green, Black, and Red to create the vague silhouette of the infamous hooded Abu Ghirab prisoner. And taking me even farther back in time was Tim Grant’s Hording Beanie Babies. For some inexplicable reason I am about to admit that a decade ago my girlfriend at the time and I actually enjoyed driving around and collecting them. In fact if I remember correctly (and I hope I don’t) that Stegosaurus and Inky the Octopus were actually fairly valuable. To this day I believe there is a trash bag full of them somewhere in my parent’s basement… and now if Tim’s work sells for $900 I may have just found out how they can actually have some value again! In case I still had you fooled into thinking I had good taste, I imagine that façade has been completely demolished now so let’s move on…


Yes, let’s shift the focus to Darren… who apparently had a dream about Fidel Castro shortly before this trip to Artomatic. Who dreams about Fidel? Actually not only was Fidel in the dream… he was Darren’s great uncle! Anyway he was telling us the story of his dream just before we came across some of his comrades. He’s even got the right color scheme going, almost like he planned it… hmmm perhaps he really is plotting a socialist revolution to become our benevolent dictator!


One goal of the trip was to find some artwork that we could put up over our mantle which has now been blank (well except for a wreath around Christmas) for over four years (and we’ll consequently become the only straight men to ever purchase artwork for their mantle). We’ll keep looking through the rest of the floors but we definitely found a strong candidate. Tiny Ghosts produces a series of works that consist of two framed photos with a handwritten story beneath them. As you can see, the text usually contains an unexpected twist beneath the second photo. Tiny Ghosts has a coffee table book of the first 100 pieces which we’ll buy and probably select three of our favorites ($60 a piece framed) to hang over the mantle.


Sometimes even a good title isn’t enough for unsophisticated art viewers like myself, and that’s why I love the Artist’s Statements at Artomatic. For example, I learned that Brian Lusher had taken a mass produced bust of Jesus (shown unpainted at the top) and shown the wide range of expressions that can be painted on. He also had an interesting write-up on how his intention wasn’t to blasphemously (to some) portray Jesus as a drag queen, but instead to show the idea that Jesus is in everyone (including drag queens). Without the artist statement and blank bust I doubt I would have even realized what was beneath the makeup. Chris Combs (or as I remember him, Chris Cones) had a series of seemingly subjectless photographs where even titles didn’t help me, until I read his artist statement which begins with him saying how he keeps seeing cones everywhere. I went back and looked over his photos again and it all clicked. Each photo contained an orange traffic cone somewhere and the title referred to the cone, as seen in my favorite one Lurking.

And in the case of Tracy Lee’s Refused: Return to Sender the art basically was the artist’s statement. Darren and I both nearly skipped right past the exhibit that seemed to contain nothing but pages of slides hung from the wall and a small collage of family photos. There wasn’t much there visually to be called art and I can’t really think of any other art venues that would have shown the “work”, but that is the beauty of the unjuried nature of Artomatic. As Darren and I walked away Sara had taken the time to read the artist’s statement, and she called us back to read it. I nearly missed my favorite piece of the day, and also the most thought provoking. Read the statement, then look at the collage titled 80 Proof Childhood (doesn’t everyone drink beer for breakfast?) and the return letter which gave the exhibit its name. Powerful stuff. Thank you for sharing Tracy.

Finally, the peep-o-ramas returned for the second time and there are plenty of fun ones. My favorite this year (though it makes me sad) is ‘The Apeepening’ Leaves Hain’s Point. And that’s what I’ve got so far, but I will soon Return to Artomatic…

Wednesday, May 28, 2008

Nothing to do with Russia...



...and not much to read either. Just enjoy the photos from Gerry Hofstetter's "Lighting to Unite" at on the National Cathedral. The DCist ran some less egocentric photos including ones of the front of the cathedral.

Note to Jon:
  • My friends hate it when (or at least how) I take photographs.

Monday, May 26, 2008

Russia Reflections

I realize that not everyone (anyone?) has the time or interest to read through the world's wordiest travelogues. Others (or at least Joel) get confused reading them out of order because the last entry is at the top. Just for you I'm providing a couple top ten lists and adjusting the post order so you don't injure your scrolling fingers.

Top 10 Least Favorite Things about the trip to Russia:
10) You can't enter or exit the Kremlin on the Red Square side
9) Despite numerous attempts I never found a Russian Asterix comic to add to my collection
8) Separate stairways for each floor of the Rimsky-Korsakov Conservatory
7) Having to buy your playbill at ballet and theatre performances
6) Nobody will actually take credit cards in Moscow (regardless of what the signs and window stickers might imply)
5) Lack of english in most museums and tours (granted we have even less Russian in ours)
4) 3 o'clock canal tours that leave at 2:55
3) Frustrating visa process. Unless you are on a tour or in one hotel the whole time, spend the $30 for a support letter from waytorussia.net
2) April renovations!
1) Having a broken metro escalator be a life-threatening experience

Top 10 Favorite Things about the trip to Russia:
10) Learning Russian replaces Hs with Gs. As in Gamlet, MakDonald's Gamburger, Gary Potter and Alkogolic.
9) Soups! Horcha and Borsch
8) Continuing the odd travel tradition of finding someone holding a chicken (in this case a Nesting Doll)
7) Free student admission to the Hermitage
6) Learning about Love Locks on the Patriarchal Bridge
5) Portion sizes (grams or mL) are displayed on the menu next to the prices
4) Most pleasant souvenir shopping experience abroad at Ismailovsky Market
3) Figuring out how to buy train tickets to St. Petersburg without using English
2) Aesthetics and efficiency of the Moscow metro (when escalators are operating)
1) Discovering Russian artists at the Tretyakov Gallery and Russian Museum

Still curious (and easily confused like Joel)? Here are the links in chronological order:
Day 1 - Moscow. Ismailovsky Market
Day 2 - Moscow. Lenin, Kremlin and Red Square
Day 3 - Moscow. Buying train tickets
Day 3 cont. and Day 4 - Moscow. Novodevichy Convent, Matryoshka Museum, Don Quixote, Pushkin Fine Arts Gallery, Tretyakov Gallery, Eugene Onegin
Day 5 - Moscow. Kolomenskoe Reserve and Metro Tour
Day 6 - St. Petersburg. Hermitage, St. Isaac's Cathedral, Swan Lake
Day 7 - St. Petersburg. Peter and Paul Fortress, Canal Tour, Russian Museum, Church of the Savior on Spilled Blood

If for some reason you still want more, here are three final slideshows covering:

Russian People


Church Domes


Recognized Brands

Thursday, May 22, 2008

Russia Recap: Day 7



Friday April 25th

Having only two days in St. Petersburg did not deter us from trying to see everything on our tourist wish-lists. Thursday had been productive but we still had to mail postcards, visit the Peter and Paul Fortress, the Russian Museum, The Church of the Savior on Spilled Blood, take a canal tour and catch our train back to Moscow at 9:30. I also promised to let us fit in three full meals, since I discovered Thursday that Kristin’s body is not a fan of my trademark two-a-day big meal plan (apparently most nutritionists aren’t either).

The hotel’s breakfast buffet took care of meal number one, and there was a post office on the second floor of the building across from the hotel (the one with an advertising jumbotron on top). That went smoothly and, unlike my lost postcards from Africa, I have confirmation from most recipients that they have actually arrived (which is a good indication that it is taking me too long to post these recaps!). After a brief rendezvous with Joe to make sure he was ok (he’d had a rough trip digestively speaking) we were off to the Peter and Paul Fortress.

Due to renovation work (shocking!), the gate nearest the metro was closed, forcing us to circle the perimeter of the fortress in order to enter. As a result we witnessed someone climbing the wall into the fortress—odd because it’s free to enter, but it was in keeping with an invasion theme that played out all afternoon—and we passed by many sunbathing Russians whose techniques (usually standing) and swimwear choices (thongs… on men) I found perverse and often baffling (listen to act 4).

We arrived at the Nevsky Gate and learned that one-hour canal tours launched from their pier every hour on the hour. I was excited because this tour option combined a canal tour with our transit back from the fortress. I did some quick scheduling in my head: Noon-3:00 fortress, 3:00-4:00 canal tour, 4:30-6:00 Russian museum. Suddenly it seemed possible that Kristin and I would each get to visit our top priorities for the day (the fortress for her and Russian museum for me). All we had to do was catch the 3pm boat... Entering the fortress, we heard a thunderous explosion, which I realized was the daily noon cannon (well, artillery now) that I had thankfully read about. I took it as the starting gun for our three hour tour of the fortress.

The race started smoothly enough, with a trip to the Boat House that held the small sailboat Peter the Great learned to sail on—and which is now surrounded by the ticket office and gift shop. Then into the Peter and Paul Cathedral, where we tracked down the relatively understated tomb of Peter the Great. Surprisingly, his tomb barely stood out from the others in the cathedral. Off to the side, the only differentiating mark (unless you can read the Cyrillic name) is a bust of Peter placed on top.

Next stop was the St. Petersburg history museum in the Commandant’s House. As Kristin will tell you, don’t stop after the first two relatively uninspiring rooms on the first floor. The bulk of the museum is on the second floor, and the exhibits seem to get more and more impressive with each room (that may be biased because there was also more and more English as we went along). I enjoyed the scale model depicting how the Alexander column was erected. Held in place by nothing but gravity I was impressed it wasn’t swept away by the tidal wave that engulfed St. Petersburg a few years later (which was depicted in a panoramic painting in the same room).

It was lunch time and we set off to track down the café in the fortress before finishing our tour at the Rocketry museum and a walk atop the fortress walls. Here’s where things got interesting. We got directions to the café and set off to the east side of the fort… which happened to be under construction. In Russia it would appear there aren’t the same liability issues we have here in the U.S. and you are basically at your own risk. So nothing prevented us from picking our way through the ongoing construction (the workers ignored us completely) and making our way to the café. The café however was closed. As was the restaurant. As was the Rocketry museum. So we nimbly navigated our way back out of the danger zone, while I wondered why Russians couldn’t be as polite as the New Yorker I’d recently heard make the following statement to tourists in Manhattan: “There’s nothing for tourists on 9th Avenue, for fuck’s sake!”. Today, there was nothing for tourists on the east side of the fortress!

It looked like Kristin was doomed to a snack lunch again, or else we’d have to cut our visit to the fortress short. But she was resourceful and managed to determine that the small snack kiosk offered a microwave-heated personal pizza which provided the required sustenance. We ate lunch on top of the fortress wall at the only spot which was available to sit, right on top of the stone commemorating St. Petersburg’s recent 300th anniversary. Without spilling too much on the stone, we finished lunch and walked the rest of the fortress wall taking in the views across the Nevsky river, as well as an unusual event going on at the fortress: periodically a skydiver would appear from the sky and land (as far as we could tell) in the fortress. First someone scaling the wall and now paratroopers were attacking. It must not have been much of an issue because the soldiers manning the artillery that had welcomed us at noon seemed more concerned about me photographing them than they did about the intruders. No one seemed to notice when the helicopter swooped in later (I can neither confirm nor deny whether it was a helicopter gunship)

The prison section of the fortress was also closed for renovation but we did find a torture exhibit that had a separate entry fee. Since it was 2:30 and we couldn’t envision what would be in the exhibit to justify the separate charges we opted to head to the dock early… right after we visited the restrooms. It turned out the only thing worse than the food situation in the fortress was the restroom situation. No one seemed to know which ones were open and we got conflicting directions, none of which matched up with the map we had. Our search eventually took long enough that we were in danger of missing our tour (and more importantly to me our chance to visit the Russian Museum where I was excited to find the rest of the works by my favorite Russian artists I’d discovered at the Tretyakov Gallery in Moscow). Eventually we crossed the fort to a temporary restroom we’d seen by our lunch spot. From the line we found there, I am certain it was the only working toilet on the island that day. The problem was that it was a pay toilet. The problem wasn’t that we didn’t have the money… it was that the woman taking the money felt she needed to clean the restroom between each customer! We’d be on a boat for an hour so forgoing this pit stop wasn’t an option. Clean faster woman! Mercifully she skipped a couple of cleanings and we got through with about seven minutes to run (and run we did) back to the pier. We arrived to watch the three o’clock tour pull away from the pier… at 2:55. Our pleading to climb aboard was fruitless and the next four o’clock tour would leave less than an hour to see the Russian museum. I felt defeated. There would be no more sublime moments appreciating a wall-filling Ivanov, or sharing what I’d found at Tretyakov with Kristin.

But then there was hope. A previously unmentioned 3:30 tour. That might just give us time. The price was higher but I was just happy to still have a chance at seeing the Russian Museum. I relaxed and enjoyed the tour. It was in Russian so it was more about being on the water and seeing the city from a different perspective than gaining any trivia or historic insights into St. Petersburg. As advertised we disembarked at the Admiralty at 4:30 and set off briskly for the Russian Museum. We got there before five… but couldn’t find the main entrance. Screw it, we saw a door and went in. We weren’t supposed to be there but we found a woman who found a woman who found a woman who spoke English and relayed back to the first woman that we wanted to enter the museum. She looked concerned and kept mentioning five o’clock, I kept saying “The museum closes at six right?” (according to the Lonely Planet). She led us around the building and to the main entrance and indicated that we needed to run. It turns out the museum stops selling tickets an hour before closing. We ran. At exactly five o’clock we rounded the corner into the Kacca room, to find the ticket seller… surprised to see us but willing to sell us tickets. I didn’t even think to ask for Kristin’s student discount. We bought the tickets, checked our bags and set off in search of my favorite Russian artists.

The experience didn’t replicate that from the Tretyakov because we were considerably more rushed (I feared each room we entered would have the exit door shut and we’d be forced to backtrack out of the museum). Still we did manage to find all of the artists I hoped to and Kristin got a feeling for what I had appreciated so much about the galleries of Russian artists. After about 45 minutes we had skimmed through the entire collection, including the temporary exhibit of landscapes which contained a new favorite painting of bears in the woods…which I later discovered I’d seen painted as the backdrop for the bear trainer at Ismailovsky Park a week before. Success. I was happy and relaxed.

And then I saw the sign for the exit out of the wing we were in. Of course we couldn’t go out that way because our bags were checked back at the main entrance. The museum closed in less than 15 minutes. Could we still get back to the main entrance?!? Or were we about to be ushered out the nearest exit as the museum closed? I suddenly had visions of a desperate conversation with Russian security along the lines: “Museum closed” “But we have to get our bags!” “Museum closed now. You can get bags tomorrow.” Tomorrow, when we’d be in Moscow boarding our plane home… without our jackets or bags! The race was on again. Back through the halls, again hoping we didn’t find our way blocked with a closed door. On several occasions doors were indeed shut directly behind us… But we got through. And now, outside again with our bags, the race which I’d felt began with the noon cannon was finally done.

I would certainly recommend more than two days in St. Petersburg, but with a bit of a frantic (or perhaps fanatical—sorry Kristin) schedule we’d managed to do everything that was on our wish list. We were left with plenty of time to take photos at the St. Basil’s-inspired Church of the Savior on Spilled Blood, finish off our shopping list at a mini-market near the church (well except for my never-to-be-found Asterix comic book), and eat a leisurely dinner at Gastranom (get the beef stroganoff, not the stuffed pike), before we caught our overnight train back to Moscow.

The trip back was a mirror of our trip up except that Joe and the empty bunk were exchanged for some quiet Russian women in our cabin. We went into a café in the Moscow station for breakfast… and quickly left when Joe was told that a coffee and scoop of chocolate ice cream would run $32 (thankfully they told us up front rather than surprising us with an absurd bill). Instead we found the cafeteria style breakfast spot where the food was more realistically priced. After a metro ride to Rechnoy Vokzal station at the top of the #2 line, and a two dollar mini-bus ride to the airport, Kristin and I were soon flying back home, passing over Greenland, and passing up the opportunity to buy the Duty-free Delta Doll. It was an amazing (and long-winded) trip. I may put together some top-ten list recollections, but for now the only thing to say is: Thank You Kristin!


<-- Day 6 ---- Reflections -->